The space of this house is organised from two volumes that rest one on the other. From the outside, both of them dialogue through the materials that surround them. Formally, these same volumes, with their arrangement, articulate the rooms. In addition, they create a large south-facing porch that invites you to enjoy family living in the open air and make several terraces a reality to enjoy moments of total privacy.
817 OE
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903
The stone walls guide the path of light and gaze in this house. Their presence speaks volumes and gives the project a sense of organisation. And, despite their solidity, as they are located on a transversal axis, these walls give up all the prominence to the intangible: they allow the sun to enter the interior from the south and draw in your towards the north, which offers some fabulous views over the Collserola valley. Sun, pines and oaks. The Mediterranean environment becomes part of the house.
The relationship between the house and its surroundings is underlined by the materials and colours used. The stone, the earthy tones and the off-white make the construction blend in with the surroundings and take root with the mountain that houses it.
897 SIC
Merge the building with the environment and let the mountain enter the home so that the whole family can live with it. That is the premise for this construction. For this reason, stone and wood are protagonists even on the façade. Just like its toasted colours, which are constantly reminiscent of the old holm oak that once populated the area. Outside, the rock of the mountain can be seen in gardens located at different heights and that makes the natural environment embrace the building.
589 ED
Close the house to the outside and create within it its own nature. Such was the challenge of this project, that translates this intention by contrasting sensations in an extreme way. From the outside, the architecture offers a compact appearance, almost monolithic in its volumetry; the interior, on the other hand, is developed with a clear fragmentary character, since the project is concatenating volumes that are sometimes full, sometimes empty. The latter – again the contrast – use wood to maintain the illusion of forcefulness and continuity, but offer a dematerialized reality with which successive landscapes are generated: patios, gardens, terraces. The result is a delicious permeable interior island composed of pieces that successively open to apparently empty spaces but occupied by careful atmospheres of light and shadow, sounds and aromas.